張般源

本展集結了15件裝置與雕塑探討自我（the self）與人類和機械之間的共存關係，並回應人在全球網路下，所擁有對自身傳統與機械上的遊牧性行使權（Nomadic accessibility）的拼接與再想像。展出多件拼貼東方傳統元素的雕塑以及互動機械裝置對於今日世界的反饋系統中，人與機械及傳統被應用下的政治目的與過度消費的不平衡提出一個規範的想像空間。
This exhibition shows a series of installations and sculptures to discuss and explore the coexisted correlation within the ‘self’, humans and machines, and responses the nomadic accessibility of the authorship of traditions and machines to re-imagine and juxtapose this scenario in the background of today’s global network. This exhibition includes a number of juxtapositions of Chinese traditional elements and robotic/interactive installations/sculptures to construct the imaginative normative spaces to discuss the political applications and the unbalance of overconsumptions in the context of today’s global feedback system.