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Frederic Leighton

的圖書
Frederic Leighton Frederic Leighton

作者:Daniel Coenn 
出版社:Classic & Annotated
出版日期:2013-07-05
圖書選購
型式價格供應商所屬目錄
電子書
$ 67
樂天KOBO 樂天KOBO
藝術家、建築師與攝影師
圖書介紹 - 資料來源:樂天KOBO   評分:
圖書名稱:Frederic Leighton

Lord Frederic Leighton was one of the most famous British artists of the nineteenth century. He preferred to paint subject matter that was connected to ancient Greek and Roman mythology and intended for his paintings to be visually beautiful. Leighton's paintings have a reputation for bright colors and firmly drawn figures. Leighton's contemporaries included the French Impressionist painters and he would have seen the work of Monet, Renoir and others in both Paris and London. Leighton said of the Impressionists that 'Impressionism is a reaction from the old conventionalism, but an impressionist must not forget that it is the deep-sinking and not the fugitive impressions which are the best'. Leighton's role at the Royal Academy included the education of younger artists. His great ability for this is summed up in the words of one of his pupils; the sculptor Hamo Thornycroft wrote, 'he was the most energetic and took the greatest pains to help the students. He was, moreover, an inspiring master'.

Lord Frederic Leighton was one of the most famous British artists of the nineteenth century. He preferred to paint subject matter that was connected to ancient Greek and Roman mythology and intended for his paintings to be visually beautiful. Leighton's paintings have a reputation for bright colors and firmly drawn figures. Leighton's contemporaries included the French Impressionist painters and he would have seen the work of Monet, Renoir and others in both Paris and London. Leighton said of the Impressionists that 'Impressionism is a reaction from the old conventionalism, but an impressionist must not forget that it is the deep-sinking and not the fugitive impressions which are the best'. Leighton's role at the Royal Academy included the education of younger artists. His great ability for this is summed up in the words of one of his pupils; the sculptor Hamo Thornycroft wrote, 'he was the most energetic and took the greatest pains to help the students. He was, moreover, an inspiring master'.

Lord Frederic Leighton was one of the most famous British artists of the nineteenth century. He preferred to paint subject matter that was connected to ancient Greek and Roman mythology and intended for his paintings to be visually beautiful. Leighton's paintings have a reputation for bright colors and firmly drawn figures. Leighton's contemporaries included the French Impressionist painters and he would have seen the work of Monet, Renoir and others in both Paris and London. Leighton said of the Impressionists that 'Impressionism is a reaction from the old conventionalism, but an impressionist must not forget that it is the deep-sinking and not the fugitive impressions which are the best'. Leighton's role at the Royal Academy included the education of younger artists. His great ability for this is summed up in the words of one of his pupils; the sculptor Hamo Thornycroft wrote, 'he was the most energetic and took the greatest pains to help the students. He was, moreover, an inspiring master'.

Lord Frederic Leighton was one of the most famous British artists of the nineteenth century. He preferred to paint subject matter that was connected to ancient Greek and Roman mythology and intended for his paintings to be visually beautiful. Leighton's paintings have a reputation for bright colors and firmly drawn figures. Leighton's contemporaries included the French Impressionist painters and he would have seen the work of Monet, Renoir and others in both Paris and London. Leighton said of the Impressionists that 'Impressionism is a reaction from the old conventionalism, but an impressionist must not forget that it is the deep-sinking and not the fugitive impressions which are the best'. Leighton's role at the Royal Academy included the education of younger artists. His great ability for this is summed up in the words of one of his pupils; the sculptor Hamo Thornycroft wrote, 'he was the most energetic and took the greatest pains to help the students. He was, moreover, an inspiring master'.

Lord Frederic Leighton was one of the most famous British artists of the nineteenth century. He preferred to paint subject matter that was connected to ancient Greek and Roman mythology and intended for his paintings to be visually beautiful. Leighton's paintings have a reputation for bright colors and firmly drawn figures. Leighton's contemporaries included the French Impressionist painters and he would have seen the work of Monet, Renoir and others in both Paris and London. Leighton said of the Impressionists that 'Impressionism is a reaction from the old conventionalism, but an impressionist must not forget that it is the deep-sinking and not the fugitive impressions which are the best'. Leighton's role at the Royal Academy included the education of younger artists. His great ability for this is summed up in the words of one of his pupils; the sculptor Hamo Thornycroft wrote, 'he was the most energetic and took the greatest pains to help the students. He was, moreover, an inspiring master'.

Lord Frederic Leighton was one of the most famous British artists of the nineteenth century. He preferred to paint subject matter that was connected to ancient Greek and Roman mythology and intended for his paintings to be visually beautiful. Leighton's paintings have a reputation for bright colors and firmly drawn figures. Leighton's contemporaries included the French Impressionist painters and he would have seen the work of Monet, Renoir and others in both Paris and London. Leighton said of the Impressionists that 'Impressionism is a reaction from the old conventionalism, but an impressionist must not forget that it is the deep-sinking and not the fugitive impressions which are the best'. Leighton's role at the Royal Academy included the education of younger artists. His great ability for this is summed up in the words of one of his pupils; the sculptor Hamo Thornycroft wrote, 'he was the most energetic and took the greatest pains to help the students. He was, moreover, an inspiring master'.

Lord Frederic Leighton was one of the most famous British artists of the nineteenth century. He preferred to paint subject matter that was connected to ancient Greek and Roman mythology and intended for his paintings to be visually beautiful. Leighton's paintings have a reputation for bright colors and firmly drawn figures. Leighton's contemporaries included the French Impressionist painters and he would have seen the work of Monet, Renoir and others in both Paris and London. Leighton said of the Impressionists that 'Impressionism is a reaction from the old conventionalism, but an impressionist must not forget that it is the deep-sinking and not the fugitive impressions which are the best'. Leighton's role at the Royal Academy included the education of younger artists. His great ability for this is summed up in the words of one of his pupils; the sculptor Hamo Thornycroft wrote, 'he was the most energetic and took the greatest pains to help the students. He was, moreover, an inspiring master'.

Lord Frederic Leighton was one of the most famous British artists of the nineteenth century. He preferred to paint subject matter that was connected to ancient Greek and Roman mythology and intended for his paintings to be visually beautiful. Leighton's paintings have a reputation for bright colors and firmly drawn figures. Leighton's contemporaries included the French Impressionist painters and he would have seen the work of Monet, Renoir and others in both Paris and London. Leighton said of the Impressionists that 'Impressionism is a reaction from the old conventionalism, but an impressionist must not forget that it is the deep-sinking and not the fugitive impressions which are the best'. Leighton's role at the Royal Academy included the education of younger artists. His great ability for this is summed up in the words of one of his pupils; the sculptor Hamo Thornycroft wrote, 'he was the most energetic and took the greatest pains to help the students. He was, moreover, an inspiring master'.L

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