Forgery in Musical Composition: Aesthetics, History, and the Canon

Frederick Reece is Assistant Professor of Music History at the University of Washington. His research centers on the music and culture of the long nineteenth century, with a particular focus on issues of authorship and authenticity. Reece’s articles and reviews have appeared in such venues as the Journal of Musicology and the Journal of the American Musicological Society. Educated at the University of Oxford and Harvard University, he is the recipient of the American Musicological Society’s Paul A. Pisk Prize and Alvin H. Johnson AMS 50 Fellowship.