Edward Thomas’s Prose: Truth, Mystery, and the Natural World

Edward Thomas (1878-1917) is a renowned poet. Until recently, his prose writing has, by comparison, been neglected and very often dismissed by critics. Thanks not least to the multi-volume new edition being published by OUP (gen. eds. Guy Cuthbertson and Lucy Newlyn), this body of work is being re-evaluated. This new study by Ralph Pite forms part of that undertaking; it is the first to consider Thomas’s prose on its own terms, independently of the poetry that it preceded.

By considering all of Thomas’s prose work in its wide variety of genres (nature writing, literary criticism, fiction, autobiography) and by drawing, for the first time, on the whole range of his reviewing, this study transforms understanding of his development. The continuity of his critical perspective emerges; his Celtic loyalties, their nature and their depth, are revealed; both the complexity and the conviction of his politics are brought to light, alongside his receptive alertness to innovative writing and his own originality and daring as a writer. The view of his achievement generated by his interwar reception (itself the outcome of societal mourning and griefwork) is challenged; so is the critical consensus regarding the quality of his prose and the reasons behind its changing styles across Thomas’s career. From all of this, it becomes clear, moreover, how powerfully Thomas’s work speaks in the contemporary moment of environmental and climate breakdown. Thomas’s prose seeks constantly to articulate a relationship of absolute interdependence between human beings and the natural world. His writing is so exploratory and original because Thomas seeks to address the problematic reality that interdependence--this truth of humanity’s place in natural world--is perceptible to Western eyes only as mystery.

Ralph Pite, Professor of English, University of Bristol

Before moving to Bristol in 2007, Ralph Pite held a chair at Cardiff University. He completed his doctorate at the University of Cambridge where he was Junior Research Fellow at Trinity College and Teaching Fellow at Corpus Christi. He was Director of Bristol’s Institute for Advanced Study (2013-17). His research focusses on literature’s contribution to addressing the environmental emergency, both contemporary poetry in the European languages and writing from the past. This book and his study of Frost are part of that inquiry. He is now developing a reading of Romantic period literature and water-based industrial development.