'Working virtually alone, on infinitesimal budgets, Milligan crafted some unique melodramas of the 1960s and 1970s. Using costumes sewn by the filmmaker, Milligan's gritty, bizarre films come across as the random cin歋ma v歋rit歋 of a lunatic with a homemovie camera. Evident throughout are deconstruction of the heterosexual paradigm, and the family as breeder of dysfunction'--Provided by publisher.