Scarred Landscapes: Place, Trauma, and Memory in Caribbean Latinx Art

Scarred Landscapes is a groundbreaking exploration of the rich and complex works of Caribbean Latinx artists. Scholar Stephanie Lewthwaite documents the work of ten influential artists of Cuban, Dominican, and Puerto Rican descent, based in New York City from the 1970s to the present. Through their diverse practices, including painting, printmaking, photography, sculpture, installation, video, and performance art, these artists confront the legacies of colonial trauma and their own experiences of diasporic unbelonging and artworld marginality.

The book combines formal analysis with artist testimony, exhibition histories, and theoretical frameworks from trauma, memory, and archipelagic studies, to offer a multifaceted examination of Caribbean Latinx art. Lewthwaite explores how these artists practice ＂archipelagic memory,＂ a generative, decolonial, and coalitional form of memory work that envisions alternative modes of belonging in difference and solidarity with others. By connecting different people, pasts, and places, Caribbean Latinx artists expose the reverberations of trauma while imagining other worlds beyond it.

This work puts Caribbean Latinx artists at the center of debates about the exclusions of dominant memory narratives and contemporary art worlds, highlighting their contributions to a wider decolonial project of remembrance. By revealing the interconnectedness of traumatic histories and the potential for art to foster empathy and justice, Lewthwaite’s work underscores the importance of relational and decolonial thought for imagining a better society.

Stephanie Lewthwaite is an associate professor at the University of Nottingham and the author of Race, Place, and Reform in Mexican Los Angeles, 1890-1940 and A Contested Art: Modernism and Mestizaje in New Mexico.