Next of Kin: The Family in Chicano/A Cultural Politics

As both an idea and an institution, the family has been at the heart of Chicano/a cultural politics since the Mexican American civil rights movement emerged in the late 1960s. In Next of Kin, Richard T. Rodr穩guez explores the competing notions of la familia found in movement-inspired literature, film, video, music, painting, and other forms of cultural expression created by Chicano men. Drawing on cultural studies and feminist and queer theory, he examines representations of the family that reflect and support a patriarchal, heteronormative nationalism as well as those that reconfigure kinship to encompass alternative forms of belonging.

Describing how la familia came to be adopted as an organizing strategy for communitarian politics, Rodr穩guez looks at foundational texts including Rodolfo Gonzales’s well-known poem “I Am Joaqu穩n,” the Chicano Liberation Youth Conference’s manifesto El Plan Espiritual de Aztl獺n, and Jos矇 Armas’s La Familia de La Raza. Rodr穩guez analyzes representations of the family in the films I Am Joaqu穩n, Yo Soy Chicano, and Chicana; the Los Angeles public affairs television series 癒Ahora!; the experimental videos of the artist-activist Harry Gamboa Jr.; and the work of hip-hop artists such as Kid Frost and Chicano Brotherhood. He reflects on homophobia in Chicano nationalist thought, and examines how Chicano gay men have responded to it in works including Al Lujan’s video S&M in the Hood, the paintings of Eugene Rodr穩guez, and a poem by the late activist Rodrigo Reyes. Next of Kin is both a wide-ranging assessment of la familia’s symbolic power and a hopeful call for a more inclusive cultural politics.