Black British Gospel Music: From the Windrush Generation to Black Lives Matter

Black British Gospel Music is a dynamic and multifaceted musical practice, a diasporic river rooted in the experiences of Black British Christian communities.

Dulcie Dixon McKenzie is the Director of the Centre for Black Theology at the Queen’s Foundation for Ecumenical Theological Education, Birmingham, UK. She achieved her PhD at the University of Birmingham and has published in the area of Black British gospel music and church history. She is a multiple award-winning pioneer of Black British gospel music Radio, including a lifetime achievement award.

Pauline Muir is a lecturer in Arts Management at Goldsmiths College, University of London. Awarded a PhD from Birkbeck College, University of London interrogating congregation music within UK Black majority Churches, her research interests are in the intricate interplay between ’race’, identity, congregational music and the Black British Gospel industry.

Monique M. Ingalls is Associate Professor of Music and Church Music Graduate Program Director at Baylor University in Waco, Texas, USA. She is the author and editor of several books on congregational music-making and serves as series editor of Routledge’s Congregational Music Studies Book Series.