Bob Dylan on Film: The Intersection of Music and Visuals

Delving into Bob Dylan’s distinctive cinematic journey, this book explores his experimental, boundary-pushing artistry from Dont Look Back to Masked and Anonymous. It sheds light on his lesser-known foray into filmmaking, bridging the realms of music and cinema.

Jonathan Hodgers received his PhD in music from Trinity College Dublin, where he currently teaches in the Music Department. His core areas of interest are popular music history, audio-visual aesthetics, and the pop song in cinema. He is a member of the editorial board for the journal The Dylan Review and has published articles and given talks on Bob Dylan.