Wisdom Discourse in the Ancient World

This book moves beyond the debate on ’wisdom literature’, ongoing in biblical studies, to demonstrate the productivity of ’wisdom’ as a literary category. Featuring work by scholars of Egyptology, classics, biblical and Near Eastern studies, it offers fresh perspectives on what makes a text ’wisdom’.

This interdisciplinary volume widens the scope of the investigation into ’wisdom literature’, chronologically, geographically, and methodologically. Readers are given insights into how the label ’wisdom’ contributes to our understanding of diverse literary forms across time periods and cultural contexts. In the volume’s introduction, the editors consider ’wisdom’ as a ’discourse’, shifting the focus from the debate on whether ’wisdom literature’ is a genre to the properties of the texts, namely exploring what makes a text ’wisdom’. This offers a methodological backdrop against which the diverse approaches of the single authors productively coexist, showing how different methodologies can be integrated to reframe our conceptions of ancient literary genres. The chapters in this volume examine texts that are the products of different ancient cultures, with several of them bridging diverse cultural, social, and chronological contexts. By sampling how different methodologies interact both within individual interpretative efforts and in wider attempts to understand cross-cultural literary phenomena, this volume also contributes new perspectives to the scholarship on ancient literary genres.

Wisdom Discourse in the Ancient World will interest both students and scholars of the ancient Near East, Egyptology, classical studies, biblical studies, and theology and religious studies, particularly those working on wisdom literature in antiquity. It will also appeal to readers with an interest in comparative approaches and genre studies more broadly.

Sara De Martin received her PhD in Classics from King’s College, London. She is currently Lecturer in Ancient Languages and Greek Literature at Regent’s Park College, Oxford, and an Early Career Research Associate of the Institute of Classical Studies, London. Her research focuses on archaic Greek elegy, gnomic literature, and Greek comedy.

Anna Lucia Furlan obtained her PhD in Classics at King’s College, London. She is currently honorary research fellow (cultrice della materia) in the Religious Studies Department of the Catholic University in Milan. At present, her research interests mainly include ancient mystery cults and their reception (particularly Orphism) and Early Christian Literature.