Atrocity and Early Modern Drama

Extreme violence scarred the early modern period. Contemporary commentators grappled to find language to categorize the massacres, genocides, assassinations, enslavements, sacks, rapes, riots and regicides that characterized the period. Some used ’outrages’, others ’cruelties’, but, significantly, the term ’atrocity’ that we use today gained the most currency.
Atrocity in Early Modern English Drama intervenes in the broad field of violence and early modern drama by placing acts of atrocity at its centre. In doing so, this essay collection offers the first book-length examination of atrocities and early modern English drama. The volume considers atrocity in early theatre, its varied representations in contemporary Shakespeare performance, and strategies for teaching early modern atrocity drama. Contributors introduce us to atrocity in the works of Shakespeare, John Fletcher, William Rowley, Thomas Dekker and Thomas Middleton across a range of forms including comedy, tragedy, revenge, cinematic adaptation, documentary film and contemporary theatre. The collection addresses the intersections of atrocities through class, crime, gender, race and the natural world. Together, the chapters interrogate how early modern English drama reflects upon and shapes understandings of the historically contingent, politically loaded and culturally contentious phenomena of atrocity.

Sarah Johnson is Associate Professor in the department of English, Culture, and Communication at the Royal Military College of Canada. In addition to her monograph, Staging Women and the Soul-Body Dynamic in Early Modern England (2014), she has published several peer-reviewed articles on early modern drama. Sarah has served as an associate editor of Early Theatre since 2014.

Georgina Lucas has taught at the University of Nottingham, UK, The Shakespeare Institute, and Queen’s University, Belfast. Her first monograph - Massacres in Early Modern Drama - is currently in development; she has also published peer-reviewed articles in Early Theatre, The Journal of the British Academy, and Shakespeare. Georgina currently serves as book reviews editor of the peer-reviewed journal Early Theatre.