Literary Critique, Modernism and the Transformation of Theory

Literary Critique, Modernism and the Transformation of Theory demonstrates the non-linear temporalities and trajectories through which theory operates. Italian Theory acts as the fulcrum of a more inclusive and less combative notion of critique. This ’living thought’ cuts across the translation of European thought into Anglo-American theory and carries with it lingering modernist motifs linked to feminist and psychoanalytic criticism. While connecting to the ’post-critique’ debate, the study focuses on recovering the ethical underpinnings of critique. Mena Mitrano demonstrates that before being a specific method or disciplinary practice, critique is a stance towards others including indocility, receptiveness, openness to transformation, awareness of relationality, attention to language, attunement to the body, distance, displacement, externality and wonder.

Mena Mitrano is Associate Professor of American literature and language in the Department of Linguistics and Comparative Cultural Studies at Ca’ Foscari University of Venice. Her research area is theoretical-critical thought, which she explores from an interdisciplinary perspective. Her work covers major critical theorists (Walter Benjamin), psychoanalysis (Ferenczi), great women thinkers (Hannah Arendt). She is the author of studies on Gertrude Stein and Susan Sontag, major American women intellectuals who shaped the link between modernism and theory: Gertrude Stein: Woman Without Qualities (2005) and In the Archive of Longing: Susan Sontag’s Critical Modernism (Edinburgh University Press 2016). She has written on language and literature and is interested in exploring literary/philosophical borders. She was educated at Rutgers University and has been a Research Associate at the Five College Women’s Studies Research Center, and a Visiting Lecturer at the Weissman Center for Leadership, Mount Holyoke College.