Matthew Fox is a veteran newspaper reporter. The year is 1990. He sees a trend in favor of softer reporting and he resists efforts to write such stories. His own life is in crisis. He is a loner, with no real friends. His only close contact is sexual and fleeting. Now, in his 50s, his own unhappiness leads him to consider a damning story about the origins of an obscure chapel at a mental hospital. The consequences of such a story would bring unhappiness to a gentle group of idealists.