Written for photographers, this composition handbook teaches how minor placement and color adjustments can enhance—or ruin—images. Emphasizing the avoidance of distracting elements, and highlighting the proper placement of the subject and the use of a secondary, less-dominant subject ensure that photographers direct the viewer's eye to the intended focus of the photograph. Color balance, shadows to highlights, and contrast elements are discussed as they apply to both color and black-and-white photography. Chapters on the compositional problems of portrait, architectural, moving, and panoramic photos apply the author's general compositional theories to the specific subjects photographers may choose. Helpful tips on composition when working with digital cameras is also included.