The Narrative of Lucy Ann Lobdell: A Woman’s Case for Equality

A Primary Text in the History of Gender in America
Lucy Ann Lobdell’s (1829-1912) extraordinary life was shaped by personal strife and the hardships of survival in upstate New York. Struggling with an abusive, alcoholic husband, a young child, ailing parents, and financial strain, Lucy did what was necessary to support her family. In a rural world defined by hunting, farming, and lumbering, she dressed, labored, and lived in a traditional masculine manner. Her prowess as a rifle shot and fiddle player were known locally, but because of her uncon­ventional, androgynous lifestyle, she became a target of public gossip and ridicule. Educated and eloquent, Lucy penned and published, Lucy Ann Lobdell, the Female Hunter of Delaware and Sullivan Counties, N.Y., in 1855. The narrative provides a unique look at the persecution of a woman whose only ＂offense＂ was disregard for contemporary societal norms.
After her husband was killed during the Civil War, she received a widow’s pension. Ostracized and eventually hospitalized in 1880--gender laws of the time imprisoned indigent men, but sent women to mental hospitals--she underwent torturous experimental treatment until she confessed to a self-serving doctor that she was ＂a man in all that the name implies.＂ Whether Lucy was a lesbian, cross dresser, or transgender, we don’t know from the historical record, but as Lisa Macchia Ohliger demonstrates in The Narrative of Lucy Ann Lobdell: A Woman’s Case for Equality, Lucy did embody the nascent women’s rights movement. At the same time, and not far from where Lucy lived and went to school, Amelia Bloomer was advocating the right for women to wear pants and was publishing the feminist newspaper, The Lily, while Susan B. Anthony was pushing for land rights and equal pay for women. All of these issues are found in Lucy’s autobiographical account, fully reproduced in this volume. Lucy’s life is an illustration of the historical significance and destructive power of gender in society, and her narrative bears painful witness to the clash between taboo and survival.

LISA MACCHIA OHLIGER is a member and volunteer for the Wayne County (Pennsylvania) Historical Society where she is helping to restore the two-hundred-year-old Daniels’ Farmstead and Delaware & Hudson Canal. She also teaches and coordinates art and history programs for the society. A graduate of the SUNY College at Oneonta and an accomplished artist, she has exhibited her work internationally. She lives in Honesdale, Pennsylvania, with her husband and children.