Hard Water

Lauded essayist takes to the high seas in hot pursuit of elusive birds, artistic ghosts, fathers and their memories, and above all, safe harbor.

＂Among nature writers now working, Charles Hood is my favorite.＂ --Jonathan Franzen

Charles Hood is on a boat, wearing at least two life jackets as he scans the sky for seabirds and plumbs the depths of his--and our--relationship with the vast Pacific Ocean. Winner of the Foreword INDIES Book of the Year for his collection of essays A Salad Only the Devil Would Eat: The Joys of Ugly Nature, Hood now brings his irrepressible curiosity to the lives of petrels, frigate birds, sea snakes, and flying fish. During our voyage, he resurrects Melville’s journey on tempestuous seas to San Francisco, takes us into the storm-tossed minds and paintings of J. M. W. Turner and Winslow Homer, and surfaces the trauma--still reverberating--to ocean and family ecologies alike from World War II. As sharp and witty as ever, Hood also turns his scrutiny on a more personal history, navigating murky waters of harm and forgiveness, love and entrapment. Full of wonder, joy, and terror at the shared capacity of the ocean and the humans on its edges to nurture life and damage it irreparably, this book is a vessel, seaworthy and transportive.

Poet and essayist Charles Hood has been a factory worker, a ski instructor, and a birding guide in Africa. His recent books published by Heyday include Nocturnalia, an appreciation of nature after dark, and the essay collection A Salad Only the Devil Would Eat: The Joys of Ugly Nature. His wildlife studies have taken him around the world, from the high Arctic to the South Pole, and from Tibet to West Africa to the Amazon. Mammal no. 1,000 seen and recorded on his world animal list was a Crossley’s dwarf lemur in Madagascar. (Mammal no. 999 was a Malagasy white-bellied free-tailed bat.) Recently retired and now professor emeritus, Hood lives in the Mojave Desert with two kayaks, two mountain bikes, two dogs, and five thousand books.