博客來Class in the Composition Classroom considers what college writing instructors should know about their working-class students—their backgrounds, experiences, identities, learning styles, and skills—in order to support them in the classroom, across campus, and beyond. In this volume, contributors explore the nuanced and complex meaning of “working class” and the particular values these college writers bring to the classroom.
The real college experiences of veterans, rural Midwesterners, and trade unionists show that what it means to be working class is not obvious or easily definable. Resisting outdated characterizations of these students as underprepared and dispensing with a one-size-fits-all pedagogical approach, contributors address how region and education impact students, explore working-class pedagogy and the ways in which it can reify social class in teaching settings, and give voice to students’ lived experiences.
As community colleges and universities seek more effective ways to serve working-class students, and as educators, parents, and politicians continue to emphasize the value of higher education for students of all financial and social backgrounds, conversations must take place among writing instructors and administrators about how best to serve and support working-class college writers. Class in the Composition Classroom will help writing instructors inside and outside the classroom prepare all their students for personal, academic, and professional communication.
Contributors: Aaron Barlow, ?Cori Brewster, ?Patrick Corbett, ?Harry Denny, Cassandra Dulin, ?Miriam Eisenstein Ebsworth, ?Mike Edwards, ?Rebecca Fraser, ?Brett Griffiths, ?Anna Knutson, ?Liberty Kohn, ?Nancy Mack, ?Holly Middleton, ?Robert Mundy, ?Missy Nieveen Phegley, ?Jacqueline Preston, ?James E. Romesburg, ?Edie-Marie Roper, Aubrey Schiavone, Christie Toth, ?Gail G. Verdi
