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Black Diva of the Thirties

的圖書
Black Diva of the Thirties Black Diva of the Thirties

作者:David E. Weaver 
出版社:University Press of Mississippi
出版日期:2009-11-12
圖書選購
型式價格供應商所屬目錄
電子書
$ 542
樂天KOBO 樂天KOBO
作曲家與音樂家
圖書介紹 - 資料來源:樂天KOBO   評分:
圖書名稱:Black Diva of the Thirties

While undergoing routine surgery to remove a benign tumor, Ruby Elzy died. She was only thirty-five. Had she lived, she would have been one of the first black artists to appear in grand opera.

Although now in the shadows, she was a shining star in her day. She entertained Eleanor Roosevelt in the White House. She was Paul Robeson's leading lady in the movie version of The Emperor Jones. She co-starred in Birth of the Blues opposite Bing Crosby and Mary Martin. She sang at Harlem's Apollo Theater and in the Hollywood Bowl. Her remarkable soprano voice was known to millions over the radio. She was personally chosen by George Gershwin to create one of the leading roles in his masterpiece, that of Serena in the original production of Porgy and Bess. Her signature song was the vocally demanding "My Man's Gone Now."

From obscurity she had risen to great heights. Ruby Pearl Elzy (1908-1943) was born in abject poverty in Pontotoc, Mississippi. Her father abandoned the family when she was five, leaving her mother, a strong, devout woman, to raise four small children. Ruby first sang publicly at the age of four and even in childhood dreamed of a career on the stage. Good fortune struck when a visiting professor, overwhelmed upon hearing her beautiful voice at Rust College in Mississippi, arranged for her to study music at Ohio State University. Later, on a Rosenwald Fellowship, she enrolled at the Juilliard School in New York City.

After more than 800 performances in Porgy and Bess, she set her sights on a huge goal, to sing in grand opera. She was at the peak of her form. While she was preparing for her debut in the title role of Verdi's Aida, tragedy struck.

During her brief career, Ruby Elzy was in the top tier of American sopranos and a precursor who paved a way for Leontyne Price, Jessye Norman, Kathleen Battle, and other black divas of the operatic stage. This biography acknowledges her exceptional talent, recognizes her contribution to American music, and tells her tragic yet inspiring story.

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