In Joyelle McSweeney’s dynamic body of work, lyric intensity becomes a means of investigating the world in all its toxic radiance. A recipient of a 2022 Guggenheim Fellowship for Poetry, her published works span poetry, prose, drama, translation, and criticism. Her debut volume The Red Bird (2001) inaugurated the Fence Modern Poets Series; her verse play Dead Youth, or the Leaks (2012) inaugurated the Leslie Scalapino Prize for Innovative Women Playwrights; and her most recent double-collection, Toxicon and Arachne (Nightboat, 2020), called a "frightening and brilliant book" by Dan Chiasson in the New Yorker, was a finalist for the Kingsley Tufts Prize, won the Shelley Memorial Prize from the Poetry Society of America, and earned her both a Literature Fellowship from the American Academy of Arts and Letters as well as the Guggenheim. Her co-translation with Jack Jung, Don Mee Choi, and Sawako Nakayasu of Yi Sang’s Selected Works received numerous recognitions, including the 2021 MLA Aldo and Jeanne Scaglione Prize for a Translation of Literary Work. Her influential volume The Necropastoral: Poetry, Media, Occults (2014) counters conventional ecopoetics by locating aesthetic and political possibility in such signature Anthropocene phenomena as mutation, contagion, contamination, and decay. With Johannes Göransson, she is a cofounder of Action Books, an international press which has built readerships for major poets from across the globe, while centering translators and the art of translation itself. McSweeney is a Professor of English at the University of Notre Dame. Her next collection, Death Styles, is forthcoming from Nightboat Books.