Shakespeare’s Auditory Worlds: Hearing and Staging Practices, Then and Now

Shakespeare’s Auditory Worlds examines special listening situations like overhearing, eavesdropping, and asides; it explores complex relationships between sound and sight, dialogue and blocking, non-English languages, and non-verbal relationships inherent in noise, sounds, and music, ending with a discussion with ASC Actors.

Walter W. Cannon is professor emeritus of English at Central College. Laury Magnus is professor of English at the U.S. Merchant Marine Academy.