博客來A bold, refreshing, and darkly funny debut novel about a mixed-ancestry Mi’kmaw woman balancing academia, grief, love, and new motherhood, for fans of Fleabag and Amanda Peters.
When the tides in the Cobequid Bay went out and left stretches of mudflats, I could walk halfway to the other shore. Sometimes the mud engulfed my feet, right up to my ankles, and made it hard to move. The longer you stayed stuck, the harder it was to keep going.
Charlie Francis’s five-year plan has gone to shit. She was supposed to greet the new millennium by diving head-first into a master’s degree, but her thesis has ground to a halt, Y2K was a bust, her rambunctious family and claustrophobic hometown are driving her around the bend?and the maybe-love-of-her-life, Adam, keeps joking about her moving home to marry him and have his babies.
When Charlie’s beloved uncle?the same person who told her to get out of town and never look back?dies suddenly, Charlie leans into her independence, breaking Adam’s heart and rushing headlong into an academic career despite the baked-in racism of the predominantly white institution. When she unexpectedly becomes pregnant, she has to navigate being a (mostly) single mother on top of everything else.
Charlie finds herself at a crossroads?and only so much stress-baking can keep reality at bay. How can she reconcile being a student of history within the colonial system that exploited her ancestors? How can she be a good mother when she can barely afford groceries? And how can she be a proud Mi’kmaw woman when the world seems determined to keep her down?
Maybe it’s time for a new five-year plan.
With grit, humour, a lovable cast, and the nostalgia of the early aughts, this bold and refreshing novel from a powerful new voice in Indigenous fiction explores grief, the complex bonds of family, and cultural identity.
