The Organic Line: Toward a Topology of Modernism

＂This book mobilizes the Brazilian artist Lygia Clark’s notion of the organic line-an interval of space between material elements-as a conceptual instrument for reimagining the field of modernism as a topological surface capable of formation and deformation through critical description and artistic practice alike＂--

Irene V. Small is Associate Professor of Contemporary Art and Criticism at Princeton University, where she is affiliated with the Program in Media & Modernity, the Program in Latin American Studies, and the Department of Spanish & Portuguese. She is the author of Hélio Oiticica: Folding the Frame.