Caleb Nichols’ One for Sorrow, Two for Joy is steeped in the Welsh language and landscape, offering a queer, outsiders’ gaze on the forms, signs, symbols, and ecology of Bangor and its surrounding environments. Nichols meditates on silence, symbols, time, and language while interrogating locatedness, reaching from Bangor and North Wales backwards towards California and its coastal landscapes. One for Sorrow, Two for Joy ruminates on the meaning of home, solitude, queer love and desire, memory, and hope.