In Port Folio, Sammi Gale confronts the absurd theatre of late capitalism with a voice that spirals through grief, satire, and ecstatic excess. Composed in fragmented prose blocks, this long poem fuses lyric and rant, confession and surreal montage, to map a world in crisis-ecological, economic, and personal. Through broken idioms, social media detritus, and failed consumer rituals, the poem veers between intimacy and collapse, often within the same sentence, with language that is saturated, centrifugal, and volatile. Throughout Gale performs a poetics of overload that registers disorientation not as failure, but as defiant form.
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