Daniel Clarke is a Cape Town-based artist working in animation, film and illustration. He started his career in animation in 2008 at Triggerfish Animation Studios, a collaboration that has lasted up until today and has seen him act as Production Designer and Art director on projects such as the feature film Khumba, BBC’s Stick Man and Snail and the Whale. As an illustrator and designer he has worked, amongst others, with clients such as Netflix, Animal Logic, The Line, National Geographic Kids, Nike, Adidas, and Penguin Random House. Daniel has worked as an illustrator and art director for international feature films such as Chronicle (Josh Trank, 2012); TheGiver (Philip Noyce, 2014); and Chappie (Neil Blomkamp, 2015)
James Clarke was born in Cape Town, South Africa, and educated at the University of Cape Town, where he studied history and literature and completed his Masters in Creative Writing as a Harry Crossley Fellow. In 2016, he was the South Africa finalist in fiction for the PEN International New Young Voices Award.
Kariba is his first graphic novel collaboration.
Daniel Snaddon is an artist, illustrator, and film director of Scottish-South African and Chinese-Australian descent, who grew up in Nelspruit, a short drive away from the Kruger National Park. He has worked in the animation and film industries for fourteen years, best known for his work with Triggerfish Animation Studios and with Magic Light Pictures’ animated BBC Christmas specials. Among these, Daniel served as animation supervisor on the Academy Award nominated "Roald Dahl’s Revolting Rhymes", co-director on the BAFTA nominated "Stick Man", and as director on both the Annie award winning "The Snail and the Whale" and the International Emmy winning "Zog". Currently Daniel is directing his fourth Magic Light Pictures Christmas special, "The Smeds and the Smoos", based on the book by Julia Donaldson and Axel Scheffler (authors of
The Gruffalo). Daniel served as the founding director of CTIAF, South Africa’s premiere animation festival, for 4 years.