An Envelope/There and Here

Even though David Miller’s stories are full of conscious, indeed self-conscious choices, the writer himself is completely unselfconscious, at least to the extent that he doesn’t give a brass monkey what the enemy thinks. He is being himself. His discourse is natural to him, musician and writer. His tone of voice is cool; the unexpected turns in the plot, the apparently false then righted moves, are redolent of improvisations familiar from free jazz.