Helmut Newton, a Gun for Hire

＂Some people’s photography is an art. Mine is not. If they happen to be exhibited in a gallery or a museum, that’s fine. But that’s not why I do them. I’m a gun for hire,＂ Helmut Newton told Newsweek in 2004. This prosaic proclamation from one of the 20th century’s most celebrated photographers may be perceived as surprising. Still it firmly positions Newton as the no-frills image-maker that he was. His work is so powerful and striking, that it defies categorization. In refusing to call his work ＂art,＂ Newton leaves us free to do so. Judging from the amount of museum and gallery shows that have featured his work, it is clear that the option has been widely exercised.

A Gun for Hire brings together a selection of Newton’s fashion catalog work from the early 1960s to 2003 including campaigns for BiBA (the first fashion catalog in 1962), Chanel, Yves Saint Laurent, Versace, Thierry Mugler, Blumarine, Villeroy & Boch and Absolut Vodka, as well as his last editorial photographs for US and Italian Vogue--encompassing the body of work he made as a ＂gun for hire.＂

With an introduction by Matthias Harder and statements by Pierre Bergé, Tom Ford, Josephine Hart, June Newton, and Anna Wintour.

Helmut Newton (1920-2004) was one of the most influential photographers of all time. Born in Berlin, he arrived in Australia in 1940 and married June Brunell (a.k.a. Alice Springs) eight years later. He first achieved international fame in the 1970’s while working principally for French ＂Vogue,＂ and his celebrity and influence grew over the decades. Newton preferred to shoot in streets or interiors, rather than studios. Controversial scenarios, bold lighting, and striking compositions came to form his signature look. In 1990 he was awarded the Grand Prix National for photography; in 1992 the German government awarded him ＂Das Grosse ＂＂Verdienstkreuz＂ for services to German culture, and he was appointed ＂Officer ＂＂des Arts, Lettres et Sciences＂ by S.A.S. Princess Caroline of Monaco. In 1996, he was appointed ＂Commandeur de l’Ordre ＂＂des Arts et des Lettres＂ by Philippe Douste-Blazy, the French Minister of Culture at the time. Working and living in close companionship with his wife until his death at 83, his images remain as distinctive, seductive and orginal as ever.