The Kisokaidō route through Japan was ordained in the early 1600s by the country’s then-ruler Tokugawa Ieyasu, who decreed that staging posts be installed along the length of the arduous passage between Edo (present-day Tokyo) and Kyoto. Inns, shops, and restaurants were established to provide sustenance and lodging to weary travelers. In 1835, renowned woodblock print artist Keisai Eisen was commissioned to create a series of works to chart the Kisokaidō journey. After producing 24 prints, Eisen was replaced by Utagawa Hiroshige, who completed the series of 70 prints in 1838.
Both
Eisen and Hiroshige were master print practitioners. In
The Sixty-Nine Stations along the Kisokaidō, we find the artists’ distinct styles as much as their shared expertise. From the busy starting post of Nihonbashi to the castle town of Iwamurata, Eisen opts for a more muted palette but excels in figuration, particularly of
glamorous women, and relishes
snapshots of activity along the route, from shoeing a horse to winnowing rice. Hiroshige demonstrates his mastery of landscape with
grandiose and evocative scenes, whether it’s the
peaceful banks of the Ota River, the forbidding Wada Pass, or a moonlit ascent between Yawata and Mochizuki.
Taken as a whole,
The Sixty-Nine Stations collection represents not only a masterpiece of woodblock practice, including
bold compositions and an
experimental use of color, but also
acharming tapestry of 19th-century Japan, long before the specter of industrialization. This TASCHEN volume is sourced from
one of the finest surviving first editions and revives the series in our compact anniversary edition.
博客來
