薩克斯風每日練習(貳)：音色與運舌

　　☆中英對照．雙語版本 ☆

　　對管樂演奏者而言，「音色．嘴型」、「運舌」、「手指」是最重要的三項基本能力。在訓練過程中，它們各自獨立；也就是說，「音色．嘴型」的控制進步了，並無法幫助「手指」進步，反之亦然。因此這三項基本能力必須分開訓練。

　　在《薩克斯風每日練習．壹》中，各式音階和琶音是針對「手指」的訓練。在《每日練習．貳》中，【第一部分】大跳與泛音練習是針對「音色．嘴型」的訓練，【第二部分】運舌練習是針對「運舌」的訓練。【第三部分】練習曲與【附錄】名曲技巧片段，則是三項能力的綜合應用。

　　☆ English-Chinese Bilingual Edition ☆

　　For all wind instrument players, Tone/Embouchure, Tonguing, and Finger are three important fundamentals. They can be viewed as independent techniques during training. In other words, when one practices Tone/Embouchure and improves on it, the Finger won't get any benefit and vice versa. Therefore, these three fundamentals should be learned separately.

　　<>, [Scales] and [Arpeggios] focuses on Finger. <>, [Wide leaps] and [Overtones] (Part I) are for Tone/Embouchure, and [Tonguing] (Part II) is a Tonguing course. [Etudes] (Part III) and [Technical extracts from masterpieces] (Appendix) are combination of three fundamentals.

編者簡介

李承育　Cheng-yu Lee, author

　　薩克斯風演奏家。任教於國立台北教育大學、新竹教育大學、輔仁大學音樂系，並擔任台北爵士大樂團指揮。專精古典及爵士薩克斯風演奏、爵士音樂基礎理論、爵士音樂編曲、爵士大樂團指揮等。

　　1997年畢業於台灣大學土木工程系。後赴美深造，2001年獲波林格林州立大學（Bowling Green State University）薩克斯風演奏文憑；再入北德州大學（University of North Texas）取得薩克斯風演奏碩士學位，並學習爵士音樂。留美期間，古典薩克斯風師事Dr. John Sampen、Dr. Eugene Rousseau、Dr. Eric Nestler等；爵士樂演奏師事James Miglia、Mike Steniel、James Riggs等；爵士樂研究師事John Murphy。

　　領導奧尼斯爵士四重奏（Onyx Jazz Quartet），2005年榮獲「克萊斯勒與ICRT爵士樂團大競技」首獎，2006年獲「大地知音音樂創意大獎賽」之創意獎，2007年發行首張專輯《Reliance》。

　　音樂作品《爵士組曲–給薩克斯風八重奏與鼓組》獲2008年台北市文化局專業藝文音樂類創作補助，爵士大樂團作品《都會台北》獲2009年國家文化藝術基金會補助。論文《採譜分析：動機式即興在爵士音樂演奏上的應用》於輔仁大學音樂系所2008年管樂學術研討會發表，《樂團指揮在爵士大樂團中的角色扮演》於2010年指揮國際學術研討會發表。

　　2009年發行古典演奏專輯《幻想曲．Fantaisie》，並入圍第廿一屆金曲獎最佳編曲人獎。著作由世界文物出版，計有《爵士樂理入門》（2007年）、《薩克斯風即興教本》（2010年）、《薩克斯風曲集》（2011年）等。

　　A classical and jazz saxophonist, Cheng-yu Lee teaches saxophone and jazz history/appreciation/theory/performance in National Taipei University of Education, Hsinchu University of Education, and Fu Jen Catholic University.

　　Lee earned his Bachelor of Engineering degree from Department of Civil Engineering, National Taiwan University in 1997. He obtained his Master of Music degree in saxophone performance from University of North Texas in 2004 after receiving music certificate from Bowling Green State University in 2001.

　　During the years in U.S., he studied classical saxophone with Dr. John Sampen, Dr. Eugene Rousseau, and Dr. Eric Nestler, and jazz studies with James Miglia, Mike Steniel, James Riggs and John Murphy.

　　Lee leads Onyx Jazz Quartet and won the 1st Prize in "Chrysler & ICRT Jazz Competition" in 2005, and Creative Award in "Land Music Awards" in 2006. In 2007, Onyx Jazz Quartet released their first album "Reliance". Lee is currently the director of Taipei Jazz Orchestra.

　　Lee released his first classical album "Fantaisie" in 2009, and was nominated the Best Arranger Award in the 21st "Golden Melody Awards". Lee is the author of "Jazz Theory for Novices" (2007), "Jazz Method for Saxophone" (2010), "Easy Pieces for Saxophone" (2011), published by Mercury Publishing House.

Foreword前言

I. Tone音色
◎ Wide leaps大跳
Exercise 1練習一 ─ Exercise 2練習二
◎ Overtones泛音
Exercise 1練習一 ─ Exercise 2練習二
Exercise 3練習三 ─ Exercise 4練習四
Exercise 5練習五 ─ Exercise 6練習六
Exercise 7練習七 ─ Exercise 8練習八
Exercise 9練習九 ─ Exercise 10練習十
Exercise 11練習十一 ─ Exercise 12練習十二
Exercise 13練習十三 ─ Exercise 14練習十四
◎ Phrasing分句
Exercise 1練習一 ─ Exercise 2練習二
Exercise 3練習三

II. Tonguing運舌
◎ Tonguing運舌
Exercise 1練習一 ─ Exercise 2練習二
◎ Articulation語法
Exercise 1練習一 ─ Exercise 2練習二
Exercise 3練習三 ─ Exercise 4練習四
Exercise 5練習五 ─ Exercise 6練習六
Exercise 7練習七 ─ Exercise 8練習八

III. Etudes練習曲
◎ Etudes in 24 major & minor keys廿四個大小調練習曲
Exercise 1 – CC大調 ─ Exercise 2 – A minorA小調
Exercise 3 – FF大調 ─ Exercise 4 – D minorD小調
Exercise 5 – GG大調 ─ Exercise 6 – E minorE小調
Exercise 7 – B-flat降B大調 ─ Exercise 8 – G minorG小調
Exercise 9 – DD大調 ─ Exercise 10 – B minorB小調
Exercise 11 – E-flat降E大調 ─ Exercise 12 – C minorC小調
Exercise 13 – AA大調 ─ Exercise 14 – F-sharp minor升F小調
Exercise 15 – A-flat降A大調 ─ Exercise 16 – F minorF小調
Exercise 17 – EE大調 ─ Exercise 18 – C-sharp minor升C小調
Exercise 19 – D-flat降D大調 ─ Exercise 20 – B-flat minor降B小調
Exercise 21 – BB大調 ─ Exercise 22 – G-sharp minor升G小調
Exercise 23 – F-sharp升F大調 ─ Exercise 24 – E-flat minor降E小調

Appendix附錄
◎ Technical extracts from masterpieces名曲技巧片段
1. <> by Jules Demersseman
原創主題幻想曲 [1860]．德梅瑟曼 [1833–1866]
2. <> by J. Demersseman
威尼斯狂歡節之引子與變奏．德梅瑟曼 [1833–1866]
3. <> by Alexander Glazunov
協奏曲 [1934]．格拉祖諾夫 [1865–1936]
4. <> by Darius Milhaud - I. Vif
丑角 [1939] 第一樂章．米約 [1892–1974]
5. <> by Darius Milhaud - III. Brazileira
丑角 [1939] 第三樂章．米約 [1892–1974]
6. <> by Paule Maurice - V. Lou Cabridan
普羅旺斯之畫 [1954–59] 第五樂章．莫里斯 [1910–1967]
7. <> by Pierre-Max Dubois - I. Lento expressivo - Allegro
協奏曲 [1959] 第一樂章．杜布瓦 [1930–1995]
8. <> by Pierre-Max Dubois - III. Rondo: Allegretto
協奏曲 [1959] 第三樂章．杜布瓦 [1930–1995]
9. <> by Alfred Desenclos
前奏、華彩段與尾聲 [1955]．德桑克洛 [1912–1971]
10. <> by Paul Bonneau
圓舞曲形式的隨想曲 [1950]．博諾 [1918–1995]
11. <> by Jacques Ibert - I. Allegro con moto
室內小協奏曲 [1935] 第一樂章．伊貝爾 [1890–1962]
12. <> by Ida Gotkovsky - IV. Final
光輝 [1974] 第四樂章．戈特科夫斯基 [1933– ]
13. <> by Henri Tomasi - I. Andante et Allegro
協奏曲 [1949] 第一樂章．托馬西 [1901–1971]
14. <> by Henri Tomasi - II. Final-Giration
協奏曲 [1949] 第二樂章．托馬西 [1901–1971]