gesser

This book explores the role played by artists and intellectuals who constructed and disseminated various competing images of national identity which polarized Spanish society prior to the Civil War. The convergence of modern and essentialist discourses and practices, especially in literature and poetry, in what is conventionally called in Spanish letters ＂The Generation of ’27＂, created fissures between competing views of aesthetics and ideology that cut across political affiliation. Silvina Schammah exposes the paradoxes facing Madrid’s cultural vanguards, as they were torn by their ambition for universality, cosmopolitanism and transcendence on the one hand and by the centripetal forces of nationalistic ideologies on the other. Taking upon themselves roles to become the disseminators and populizers of radical positions and world-views first elaborated and conducted by the young urban intelligentsia, their proposed aim of incorporating diverse identities embedded in different cultural constructions and discourse was to have very real and tragic consequences as political and intellectual lines polarized in the years prior to the Spanish Civil War.

Silvina Schammah Gesser specializes in the cultural and intellectual history of early twentieth-century Spain. Her more recent research has focused on the role of culture and the arts during Francoism and on issues of memory, representation, and museum practices in democratic Spain. Dr. Schammah lectures at the Department of Romance and Latin American Studies and is a fellow researcher at the Harry S. Truman Institute for the Advancement of Peace at the Hebrew University of Jerusalem.