在建築中,有形與無形的差距在空間與物質的關係中是固有的。本書探討的是這樣的建築,其機遇,氣氛和環境的複雜性被融入到?意識的幾何形狀中。由此,新建築不完全是基於現代公認的準則而實現,也可以基於文化背景和淵源而實現。這樣的幾何形狀是一個端點,包含感知、觀念和行動的連續性。
The experience of seeing space in its relationship with matter in inherent in the gap between the visible and invisible in architecture. This book examines architecture where the complexities of chance, atmosphere, situation and circumstance are amalgamated into geometry of the unconscious. From this, new architecture can be realized not only based upon accepted norms of modernity but also upon cultural context and origin. Such geometry is an endpoint that involves a continuity of perception, conception and action.