pitari

This book argues that David Foster Wallace failed to provide a response to the existential predicament of our time. Wallace wanted to confront despair through art, but he remained trapped, and his entrapment originates in the ＂existentialist contradiction＂ the impossibility of affirming the meaningfulness of life and an ethics of compassion while believing in free will.

To substantiate this thesis, the analysis reads Wallace in conversation with the existentialist philosophers and writers who influenced him: S ren Kierkegaard, Fyodor Dostoevsky, Martin Heidegger, Jean-Paul Sartre, Albert Camus, and Ludwig Wittgenstein. It compares his non-fiction with the sociologies of Christopher Lasch, Zygmunt Bauman, Ulrich Beck and Elisabeth Beck-Gernsheim, and Anthony Giddens. And it finds inspiration in Giacomo Leopardi, Friedrich Nietzsche, and Emanuele Severino to conclude that the philosophy which pervades Wallace’s works entails despair and represents the essence of our civilization’s interpretation of the world.

Paolo Pitari completed a joint PhD in English at the University of Venice and at LMU Munich. He is the author of numerous academic articles in literature and philosophy. He was awarded research grants by the University of Venice, the JFK Institute of Freie Universität Berlin, and the DAAD. He is currently doing a second PhD in Philosophy at Vrije Universiteit Amsterdam with a thesis on the problem of induction. He also works as a freelance copyeditor and translator.