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An American author, playwright, and copywriter. He is famous for his use of irony and twist endings. Slesar wrote hundreds of scripts for television series and soap operas, leading TV Guide to call him "the writer with the largest audience in America."
After reading Slesar's "M Is for the Many" in Ellery Queen's Mystery Magazine, Alfred Hitchcock bought it for adaptation and they began many successful collaborations.

Contents
My Father, the Cat (1957)
Dream Town (1957)
The Delegate from Venus (1958)
Reluctant Genius (1957)
Heart (1957)
The Success Machine (1960)

Contents
My Father, the Cat (1957)
Dream Town (1957)
The Delegate from Venus (1958)
Reluctant Genius (1957)
Heart (1957)
The Success Machine (1960)

My Father, the Cat (1957)
He wondered if I'd told her everything, and, faltering, I had to admit that I hadn't. She was wonderful--but human.

Dream Town (1957)
The woman in the doorway looked so harmless. Who was to tell she had some rather startling interests?

The Delegate from Venus (1958)
Everybody was waiting to see what the delegate from Venus looked like. And all they got for their patience was the biggest surprise since David clobbered Goliath.

Reluctant Genius (1957)
It is said that Life crawled up from the slime of the sea-bottoms and became Man because of inherent greatness bred into him before the dawn of time. But perhaps this urge was not as formless as we think.

Heart (1957)
Monk had three questions he lived by: Where can I find it? How much will it cost? When can you deliver? But now they said that what he needed wasn't for sale.

The Success Machine (1960)
Mechanical brains are all the rage these days, so General Products just had to have one. But the blamed thing almost put them out of business. Why? It had no tact. It insisted upon telling the truth!