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This book is intended for teachers, students, musicians, composers and music lovers interested in research in the field of art. It contains dissimilar approaches and paradigms which will allow a clearer and more complete musical vision and analysis. In addition, it has a markedly theological and Hellenistic look that reveals its spiritual and divine aspects. It has a strictly empirical part, that is to say, with scientific foundations, taking into account research, theories and musical treatises about the vibratory phenomenon of sound as the main architect of creating forms and relating it to the cosmos. It also contains valuable contributions for modern popular music research, since it demonstrates the use of a novel compositional resource and treatment that was applied not only in melody but also in harmony. Emblematic works were selected from different genres and styles of modern popular music, which were born in the 50’s with the digital, industrial and technological revolution.