tadgell

In tracing the evolution of the Louvre from fortress to palace and of Versailles from hunting domain to dynastic capital, Dr Tadgell’s detailed architectural analysis of many projects - external and internal, realised and unrealised - is set in the context of the development of the medieval monarchy towards absolutism, of the development of the medieval château towards precedents for the seat of absolutism, and of the effect of the French monarchy’s financial incontinence on the realisation of royal building ambitions.

In particular, Tadgell challenges received opinion on the introduction of Hispano-Burgundian court etiquette to French palace design, relates the court front of Lescot’s Renaissance Louvre to the iconography of apotheosis, revises the current ordering of François Mansart’s designs for the Louvre and reassesses the subsequent contribution of Claude Perrault to the completion of the east front in respect for the opinion of 17th and 18th century commentators. After surveying the various phases of work for Louis XIV at Versailles, he traces the evolution of Ange-Jacques Gabriel’s grand projet for rebuilding the town side of the palace for Louis XV, noting the influence of Bernini on the definitive phase, and he masters the intricacies of the incessant changes to the royal apartments which inhibited rebuilding.

Finally, the book looks at the influence of the great French palaces on those seeking to emulate their ambition, from Stockholm in the late-17th century to the deliriously opulent late-19th century palace of Ludwig II of Bavaria at Herrenchiemsee. A wealth of illustrative material and supporting documents bring this comprehensive and authoritative text to life.

Generally acknowledged as an expert on French classical architecture, Christopher Tadgell has been publishing in the field for well over four decades. He studied art history at the Courtauld Institute in London and in 1974 was awarded his PhD for a thesis on the Neoclassical architectural theorist, Ange-Jacques Gabriel. He subsequently taught in London and at the Kent Institute of Art and Design in Canterbury, with interludes as F.L. Morgan Professor of Architectural Design at the University of Louisville and as a Member of the Institute for Advanced Study, Princeton.

His History of Architecture in India (London 1990, several reprints) is the definitive one-volume account of the architecture of the subcontinent, while many publications on French architecture include the standard account in Baroque and Rococo Architecture and Decoration (ed. Blunt, London 1978). His seven-volume series Architecture in Context is an unmatched survey of the seminal architectural traditions from the earliest times to the end of the 20th century. He has contributed many articles on Indian and French architecture to The Grove Dictionary of Art and other major reference books, including the forthcoming revision of Banister Fletcher’s A History of Architecture.