共 名人推薦：
""This is a sophisticated, informative and theoretically challenging study of Tsui Hark's film. It is the first to offer an in-depth examination of the concrete implications of Tsui Hark as an innovator and modernizer of Hong Kong cinema. Most impressive is Schroeder's meticulous analysis of the technologies of transnationalism, using the film as an example of the triumph of a postmodern 'pastiche' aesthetic in Hong Kong cinema by systematically borrowing and remaking the decontextualized fragments of Hollywood's hardware and software."" – Sasha Vojkovic, Division of Humanities, Hong Kong University of Science and Technology
