Paul Allen Miller is Carolina Distinguished Professor at the University of South Carolina and Distinguished Guest Professor of English Ewha Womans University (Seoul). He was Vice Provost for International Affairs from 2014 to 2020. He has held visiting appointments at University of the Ruhr, Paris 13, and Beijing Language and Cultural University. His teaching and research interests are theory, Latin literature, ancient philosophy, and classical reception. He is editor emeritus of Transactions of the American Philological Association. He is the author of Lyric Texts and Lyric Consciousness (1994), Latin Erotic Elegy (2002), Subjecting Verses (2004), Latin Verse Satire (2005), Postmodern Spiritual Practices (2007), Plato’s Apology of Socrates (2010) with Charles Platter, A Tibullus Reader (2013), Diotima at the Barricades: French Feminists Read Plato (2015), and Horace (2019). He has edited fifteen volumes of essays and has published or forthcoming more than 100 articles on Latin, Greek, French, and English literature and philosophy. His latest books are Foucault’s Seminars on Antiquity: Learning to Speak the Truth from Bloomsbury (2021) and Theory Does not Exist: Comparative Ancient and Modern Explorations in Deconstruction, Psychoanalysis and Rhetoric (2024).
許紀霖
中國華東師範大學特聘教授、歷史系博士生導師、教育部人文社科重點研究基地中國現代思想文化研究所副所長,主要從事20世紀中國思想史與知識分子的研究以及當代中國文化研究。主要著作有《家國天下:現代中國的個人、國家與世界認同》(上海人民出版社,2017)、《安身立命:大時代中的知識人》(上海人民出版社,2019),Rethinking China’s Rise: A Liberal Critique (Cambridge University Press, 2018)、《普遍的価値を求める:中國現代思想の新潮流(叢書・ウニベルシタス 1121,日本法政大學出版局,2020)。
Rada Iveković
Rada Iveković was visiting professor at the 文化研究國際中心 International Institute for Cultural Studies (ICCS) at NTCU, Hsinchu. Former programme director at the Collège international de philosophie, Paris (2004–2010), philosopher-indologist, she was born in Yugoslavia. She taught at the Philosophy Department of Zagreb University, then at universities in France and was visiting professor at universities in different countries. She was Senior Research Fellow at the Asia Research Institute, NU of Singapore, 2013. She published books on philosophy (Indian or comparative, including translations), political philosophy, feminist philosophy, (literary) criticism, and essays.
Tyrus Miller
Tyrus Miller is Dean of the School of Humanities and Distinguished Professor of Art History and English at the University of California, Irvine. His books include Late Modernism: Politics, Fiction, and the Arts Between the World Wars (University of California Press, 1999); Singular Examples: Artistic Politics and the Neo-Avant-Garde (Northwestern University Press, 2009); Modernism and the Frankfurt School (Edinburgh University Press, 2014); and Georg Lukács and Critical Theory: Aesthetics, History, Utopia (Edinburgh University Press, 2022). He is also editor of A Cambridge Companion to Wyndham Lewis (Cambridge University Press, 2016), co-editor of Jackson Mac Low: Between Performance and Writing (Slought, 2023), and editor/translator of György Lukács, The Culture of People’s Democracy: Hungarian Essays on Literature, Art, and Democratic Transition, 1945–1948 (Brill, 2012).
國立臺灣大學地理環境資源學系教授,美國紐約州立大學石溪分校比較文學博士。長期關注晚近東亞大都會在資本全球化過程中形成的地理景觀與日常生活實踐。著有Walking Between Slums and Skyscrapers: Illusions of Open Space in Hong Kong, Tokyo, and Shanghai(獲中央研究院年輕學者研究著作獎)、《面對巨變中的東亞景觀:大都會的自我身份書寫》、《中港新感覺:發展夢裡的情感政治》等書。近年致力於亞洲四小龍的跨國婚姻研究,試圖透過婚姻移民女性的情感經驗,探索其主體性與跨國親密關係中的權力協商。
Goran Fejić, born in Sarajevo (Yugoslavia) in 1946 served as a diplomat of his country until its disappearance in 1991, having held posts in Rome, Italy and the United Nations Office in Geneva where he was actively involved in the negotiations on the New International Economic Order. In disagreement with the war-mongering policies that led to the collapse of Yugoslavia, he resigned from diplomatic service and joined the United Nations in his personal capacity. He worked in several UN peace, electoral and human rights missions (Haiti, South Africa, Guatemala, Afghanistan) and in the Stockholm-based Institute for Democracy and Electoral Assistance (International IDEA). In his memoirs published in France (Mémoires déboussolés, l’Harmattan, Paris 2016) he offered a personal testimony of those turbulent times at the turn of the century. He contributed articles in cultural and policy journals including “Transeuropéennes” (Paris), “Lignes” (Paris), “Open Democracy” (London), and others. He lives in Paris.
叢書總序
編輯說明
前言:殘酷世界物語——誰需要後全球化?╱廖咸浩
Introduction: Tales of a Cruel World—Who Needs Post-Globalization?╱Sebastian Hsien-hao Liao
Part I 全球∕在地的再協商
間距論再探:後全球時代的東西文化間-談╱François Jullien(朱利安)著,卓立譯
In the Beginning Was the Logos: Reason and Revolution╱Paul Allen Miller
從自身的歷史脈絡理解中國現代化╱許紀霖
Part II 知識傳播之多面向
The Politics of Translation: Dealing with Discontinuities╱Rada Iveković
My Twentieth Century: Zeitdiagnose and Modern Art in Badiou, Sloterdijk, and Stiegler╱Tyrus Miller
看圖說故事:漢字在《芬尼根守靈》裡的形狀╱梁孫傑
照出右翼:大川周明的《日本二千六百年史》╱何思慎
Part III 跨國接觸的虛與實
粉紅泡泡的誘惑?臺港跨境婚姻中的親密性與地方感╱黃宗儀、胡俊佳
誰與誰的和解?──日軍「慰安婦」議題的臺灣觀點╱朱惠足
歐中關係的典範轉移──處於大轉折中的歐洲對華關係╱張倫
The Demise of (State) Multilateralism in the Multipolar World; Why?╱Goran Fejić
儘管前衛藝術在一戰前的歐洲已掀起波瀾,但終不免被兩次大戰壓縮其空間,二戰後又遭左派排擠,而壯志難伸。然而,經紐約文化圈將之收編馴化後,竟成為某種「官方文化」。用哈維(David Harvey)的話說:「新自由主義化需要從政治經濟層面建構基於市場的民粹文化,其特徵是差異化的消費主義與個人的道德放任主義。」這項工程最終導致「文化的新自由主義化」,孕育出庫哈斯(Rem Koolhas)稱為「癲狂紐約」(delirious New York)的偽前衛文化。後來被稱為「後現代主義」(postmodernism)文化中較具商業氣息的一面,便是濫觴於此生活風格,並風行草偃蔚為全球風尚,讓各地的群眾耳濡目染,內化成本能而不自知。與經濟全球化不同的是,這種文化全球化除了某些細節之外,至今未見明顯衰退。