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台灣文學英譯叢刊(No. 41):台灣文學的動物書寫專輯的圖書 |
$ 356 ~ 405 | 台灣文學英譯叢刊(No. 41):台灣文學的動物書寫專輯
作者:Kuo-ch'ing Tu(杜國清)、Terence Russell(羅德仁) 出版社:國立臺大出版中心 出版日期:2017-12-08 語言:繁體/中文 共 6 筆 → 查價格、看圖書介紹 |
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它的拉丁詞根literatura/litteratura被用來指代所有的書面記錄,儘管當代定義將術語擴展到包括口頭或唱歌的文本。文學可以根據是虛構作品還是非虛構作品進行分類,也可以根據是韻文還是散文進行分類;可以根據長篇小說、中篇小說、短篇小說等主要形式進一步區分;作品往往根據歷史時期或者遵守某些美學特徵或期望進行分類。
以語言文字為工具形象化地反映現實的藝術,包括韻文、散文、劇本、小說等,是文化的重要表現形式,以不同的流派表現內心情感和再現一定時期和一定地域的生活。
這個概念隨著時間的推移而改變了意義:現在它可以擴大到非書面的口頭藝術形式,可以與語言或文字本身配合,因此很難就其起源達成一致。
印刷技術的發展使得書面作品的分布和擴散成為可能,最終導致了網絡文學。
文學並不一定是客觀的,一名成功的文學家能在自己的文學作品中,展現自己對於文學的主觀看法,抒發自己的情緒和感觸,但藉由嘗試建立一個「客觀的標準」,有時對能幫助作家了解「讀者的感受」以求將內心之情感與藝術表現完整的體現在讀者心中。
有時也能藉作家主觀想法帶給社會不同面相去省思現況,例如女性文學的興起。
維基百科
這一專輯所選的作品主要凸顯台灣文學在全球動物文學研究的舞台上的地方認同。台灣的自然書寫涉及地理環境所具有的地方意義,以及與台灣獨特的文化歷史的記憶。尤其是吳明益的兩篇小說,〈國姓爺〉以及和台灣美濃地方有關的〈往靈魂的方向〉都是很好的例子。李喬的〈修羅祭〉,未能收入本叢刊第36 集「李喬專輯」(2015年7月),卻收入「台灣文學的動物書寫」這一專輯,更能顯示動物抒寫對生命的哲學思考。本期也收錄了杜國清教授所創作與動物主題有關之三首詩:內容涉及台灣對待動物的生態環境和動物保護意識的〈阿河,阿河〉、表現人與狗之間親近關係的〈我的憂傷〉,以及描寫「人狗神」生命流浪、輪迴不已的〈三界輪迴〉,而與李喬的〈修羅祭〉佛教超越現世的生命哲學觀互相呼應。
In the thirty years since the 1980s, a significant volume of creative work and research in Taiwan has been produced under the general category of nature writing. There have been conferences and proceedings, M.A. theses and Ph.D. dissertations, research articles, books, and anthologies. There are four representative and well-recognized writers in the field: Liu Ka-shiang, who has dedicated himself to birdwatching and nature writing; Liao Hung-chi, who is known for his writings on whale and ocean experiences; Wu Ming-yi, who has concentrated on butterflies and broken new ground in ecological writing; as well as Syaman Rapongan, who has devoted himself to reconstructing the ocean-centric culture of the indigenous Taos people. It is in view of all the above that this issue of the journal has been dedicated to "Animal Writing in Taiwan Literature." Recalling that our publication has a mission to "introduce the voices of Taiwan literature from recent publications to English readers, and especially to introduce the views of Taiwanese writers and scholars regarding their own literature," we have asked Professor Chia-ju Chang of Brooklyn College to be guest editor of this special issue.
The works selected for translation here were recommended primarily by Professor Chang. She has chosen works that highlight the local characteristics of animal literature in Taiwan as distinct from international animal literature. These works refer to the geographical environment and to memory of the unique cultural history of Taiwan. The two stories by Wu Ming-yi,
"Koxinga" and "The Compass of the Soul," are excellent examples of this. Lee Chiao's "A Sacrifice to the Asuras" was originally intended for the special issue on the author (No. 36, July 2015), but it turned out to be very appropriate for this issue on animal writing in Taiwan as it ponders animal life from a philosophical perspective. Furthermore, three poems related to animal writing by Prof. Tu are collected in this issue. "A-he, A-he," about a hippo, concerns attitudes toward animals as well as environmental consciousness and animal protection in Taiwan. "My Grief" expresses the close relationship between a man and his dog. And the third poem,
"Reincarnation of the Three Realms──After watching the movie God Man Dog," considers the Buddhist concept of incarnation in the three realms of life, echoing Lee Chiao's Buddhist philosophy on life beyond this life.
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