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Betty Yi-Chun CHEN

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圖書介紹 - 資料來源:TAAZE 讀冊生活   評分:
圖書名稱:Networked Bodies: The Culture and Ecosystem of Contemporary Performance 身體網絡(英文版)

“This publication assembling the practices and discourses of ‘Asian contemporary performance’ is assuredly a statement of ‘the world we have made’ for the now and the future, as well as a means of connecting TPAC and other ‘worlds.’ ”-Ruo-Yu LIU, Chairwoman of Taipei Performing Arts Center

“While it is now hardly unusual to find choreographers working in an exhibition setting, or visual artists performing on a stage, it is still rare to see practitioners from the different fields working together, as can be found at ADAM.”-John Tain, Head of Research at Asia Art Archive

“With various understandings from multiple disciplines, life journeys and international practices, this publication is neither a collected manifesto, nor an imprint of harmony and integration. On the contrary, it is the very embodiment of incarnations and trajectories of the world history and the network of contemporary corporeality.”-Chun-Yen WANG, Art Critic

“The anthology sheds light on contemporary, situated approaches to ‘the notion of composition,’ breaking with linear processes of gathering through decolonial and collective movement-based practices.”-Madeleine Planeix-Crocker, Associate Curator at Lafayette Anticipations

Asia Discovers Asia Meeting for Contemporary Performance (ADAM) was founded by Taipei Performing Arts Center in 2017. Jointly conceived with River Lin, a Taiwanese artist and curator currently living and working between France and Taiwan, the project aims to build a research and exchange platform for cross-cultural and interdisciplinary performance art in the Asia-Pacific region. Different from other similar networks and art markets that focus on transactions, ADAM emphasizes an ‘artist-led’ concept and practice. It invites artists to disrupt the relationships and dialogues between institutions and artist communities through the ecological processes of conception, research and development, as well as production, and also provides sustenance and companionship to artists while they embark on their journeys in creative research and co-creation.

This book is based on the exchanges, research and practices undertaken by artists from across the Asia-Pacific region and beyond who have worked with performance as a medium, form and method during the 2017-2021 editions of ADAM (Asia Discovers Asia Meeting for Contemporary Performance). It proposes or questions work-in-progress modes of knowledge production in the glocal context of contemporary performance. This publication documents the trajectory of ADAM, and further expands the discursive process for the problematique related to issues such as geopolitics, community and social engagement, cross-cultural studies, and interdisciplinary art.

作者簡介:

Editor-in-Chief: River LIN

Authors: I-Wen CHANG, Cheng-Ting CHEN, Betty Yi-Chun CHEN, Enoch CHENG, Xin CHENG, Cheng-Hua CHIANG, Chih-Yung Aaron CHIU, Ling-Chih CHOW, Freda FIALA, Nicole HAITZINGER, Xuemei HAN, Rosemary HINDE, Ding-Yun HUANG, Danielle KHLEANG, Tsung-Hsin LEE, Helly MINARTI, Nanako NAKAJIMA, Jessica OLIVIERI, Hsuan TANG, Cristina SANCHEZ-KOZYREVA, Anador WALSH, Po-Wei WANG.
*Listed in alphabetical order of surname.

Translators: (Mandarin Chinese to English) Elliott Y.N. ChEUNG, Johnny KO, Elizabeth LEE, River LIN, Stephen MA, Cheryl ROBBINS; (English to Mandarin Chinese) Tai-Jung YU, Yen-Ing CHEN

River Lin

I-Wen CHANG

Cheng-Ting CHEN

Betty Yi-Chun CHEN

Enoch CHENG

Xin CHENG

Cheng-Hua CHIANG

Chih-Yung Aaron CHIU

Ling-Chih CHOW

Freda FIALA

Nicole HAITZINGER

Xuemei HAN

Rosemary HINDE

Ding-Yun HUANG

Danielle KHLEANG

Tsung-Hsin LEE

Helly MINARTI

Nanako NAKAJIMA

Jessica OLIVIERI

Hsuan TANG

Cristina SANCHEZ-KOZYREVA

Anador WALSH
and
Po-Wei WANG

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作者序
sts from across the Asia-Pacific region and beyond who have worked with performance as a medium, form and method during the 2017-2021 editions of ADAM (Asia Discovers Asia Meeting for Contemporary Performance). It proposes or questions work-in-progress modes of knowledge production in the glocal context of contemporary performance. This publication documents the trajectory of ADAM, and further expands the discursive process for the problematique related to issues such as geopolitics, community a...
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