Emilia Phillips

Signaletics pits the measured against the immeasurable, the body against identity, and the political against the personal. With a defunct 19th-century body measurement system of criminal identification as a foundation, the poems move in and out of history, only to arrive at the immediate voice of a speaker, distraught about the death of a child brother, the remove of a father, and the estrangement of the personal with the politics of her country.