Hennegau

Summer. 1990. West Germany. Conversation over a sketchbook outside Museum Holstentor reveals a foreigner’s errand. Drawings show me various oddities hammered by her kinsman from a burial megalith. Cast into the Baltic Sea in 1582, these occult reductions have seen resurfacing. Society Ludvika is a lyrical collection of suppressed paths and pathfinders, that an arsonist’s sketchbook survives solely to bring to light.