Hong Kong as Imaginary in Western Film and Literature Before and After Suzie Wong
Thomas Y. T. Luk & James P. Rice
Part I. Orientalizing Hong Kong
Silent Servants: Hong Kong's Colonial Allegories
James P. Rice
Under Western Eyes
S. N. Ko
Part II. Hong Kong In Love
Love with a Proper Gweilo
James A. Clapp
The Images of Hong Kong Presented by Han Suyin's A Many Splendored Thing and Henry King's film Adaptation: a Comparison and Contrast
Gillian Bickley
Suzie Wong and Her World
Law Kar
Hong Kong as City/Imaginary in The World of Suzie Wong, Love is a Many Splendored Thing, and Chinese Box
Thomas Y. T. Luk
Part III. Boxed In: Hong Kong Desired, Gendered, and Traumatized
Reading the Hong Kong Trauma in Wayne Wang's Chinese Box
Esther M. K. Cheung
Chinese Box Genders Hong Kong
Iska Alter
Portrayals of Gender and Generation, East and West: Suzie Wong in the Noble House
Staci Ford & Geetanjali Singh Chanda
Part IV. Orientalism as Paradigm
Orienteering: The Experimental East in Auden's Sonnets from China Stuart Christie
The Exotic and Oriental as Decoy: Raymond Chandler's The Big Sleep
Gordon E. Slethaug
About the Author(s) / Editor(s) / Translator(s)
Thomas Y. T. Luk is a Senior Lecturer in the Department of Modern Languages and Intercultural Studies, The Chinese University of Hong Kong, specializing in film and literature, comparative drama, theatre and adaptation, romanticism.
James P. Rice, a former Fulbright Scholar in the Department of Modern Languages and Intercultural Studies, The Chinese University of Hong Kong, is at present the Assistant Vice President for Academic Affairs at Bucknell University, and specializes in Far Eastern languages and literature and critical theory.