顏艾琳

台灣台南下營人，1968年出生，輔仁大學歷史系畢、台北教育大學語文創作所肄業。年輕時玩過搖滾樂團、劇場、「薪火」詩刊社、地下刊物。擔任新北市政府顧問、耕莘文教院顧問、韓國文學季刊《詩評》台灣區顧問、大陸與香港詩歌刊物與網站顧問；曾獲「出版優秀青年獎」、創世紀詩刊40週年優選詩作獎、文建會新詩創作優等獎、台灣全國優秀詩人獎、2010年度吳濁流新詩正獎、2011年中國文藝文學類新詩獎章、2012年海南島第一屆桂冠詩人獎、2015年「第一朗讀者」最佳詩人獎；擔任重要文學獎評審與藝文講師，2010年與劉亮延合編並主演舞台劇《無色之色》。2016年春與杭州郵政總局聯手策畫發行全球第一套新詩郵資明信片《寄給遠方的歸人-鄭愁予套郵》。 著有《顏艾琳的祕密口袋》、《已經》、《抽象的地圖》、《骨皮肉》、《晝月出現的時刻》、《漫畫鼻子》、《黑暗溫泉》、《跟天空玩遊戲》、《點萬物之名》、《讓詩飛揚起來》、《她方》、《林園詩畫光圈》、《微美》、《詩樂翩篇》、《A贏的地味》等書；重要詩作已譯成英、法、韓、日文等，〈你殺了你的愛情〉被頑石劇團改編成詩劇場、一組詩被窺視者劇團改編入劇場、組合語言舞團以〈孩子磁場〉編成25分鐘現代舞劇被文化部遴選為2014愛丁堡藝穗節台灣重點節目、〈超級販賣機〉被金曲獎歌后羅思容改編成靈魂流行樂、〈夕陽前發生的事〉被小老鷹主唱小實譜成清新搖滾、〈少女的果實〉和〈新竹小調〉被改編成微電影、近20首入選各版本中學到研究所之語文教材。 詩與散文已入選兩岸三地、法文、英文、日文、韓文「臺灣當代重要詩人/作家」超過100種選集跟專文介紹。研究顏艾琳作品之相關論述文字已達數十萬字。 自2005年起以專業人士身份受聘元智、世新、清雲科大、北商大、原住民部落大學等講師，駐校跟駐地藝術家、讀書會老師，曾任豐年社總編輯、「齊東詩舍-詩的復興」執行長。

YAN Ai-lin (顏艾琳) was born in Tainan, Taiwan, in 1968. She holds a degree in History from Fu Jen Catholic University and has studied in the M.A. program of Language and Creative Writing at National Taipei University of Education. Starting from 2005, Yan starts teaching as a guest lecture at Yuan Ze University, Shih Hsin University, Chen Hsin University of Technology and Science, National Taipei College of Business, and Indigenous Community College. Yan is a former consultant for the New Taipei City Government, Cardinal Tien Educational Center in Taipei, and Editor-in-chief of HARVEST Farm Magazine; she is now Director of the 「Poetic Leap(詩的復興)」 program of Qi Dong Poetry Salon in Taipei. In Yan’s fruitful career as a poet, she has won of many major literary awards, including the Wu Cho-liu Literary Awards (吳濁流文學獎) for new poetry, the Chinese Literature and Art Literary Award (中國文藝獎章), Outstanding Youth Publish Award (出版優秀青年獎), National Outstanding Poet Award (全國優秀詩人獎), Poet Laureate of Hainan Island Poetry Festival (海南島桂冠詩人獎), Poet Laureate of the Reciter Poetry Festival (第一朗讀者), also her works were selected as the optimal poems by the Epoch Poetry Quarterly (創世紀詩刊) for its fortieth anniversary.

During Yan’s youth, she was active in many fields, she played bass for a punk rock band, performed in an experimental theater, and also was a member of 「Kindle (薪火)」 poetry quarterly and many other indie magazines. These varied experiences are reflected in Yan’s works, opening possibilities of multidimensional sparks in her poetry, allowing other forms of arts to convey their essence. Stone Theatre adapted You Killed Your Love (你殺了你的愛情) into a poetry theater; Le Voyeur Theatre also has reconstructed a set of her poems into a theatrical performance; in 2014, Magnetism of Children (孩子磁場) was brought onto the stage of Edinburgh Festival Fringe by Assembly Dance Theatre; Super Vending Machine (超級販賣機) was composed into a soul-pop song by award-wining singer Lo Sirong; there is also a micro-film based on her two works which are Fruit of a Maiden (少女的果實) and Hsinchu Ballad (新竹小調). Her works can often be found as teaching materials for various academic purposes, ranging from junior high school to post-graduate programs, as well.

Yan’s major works are as followings: Yen's Secret Pocket (顏艾琳的祕密口袋，1990), Already (已經，1997), Imaginary Map (抽象的地圖，1994), Bone, Skin, Flesh (骨皮肉，1997), When the Sun and the Moon are Above Us (晝月出現的時刻，1998), Comic Nose (漫畫鼻子，1999), Nocturnal Hot Spring (黑暗溫泉，1998), A Game with the Sky (跟天空玩遊戲，2000), Name the Names of All beings (點萬物之名，2001), Let Poetry Take Flight (讓詩飛揚起來，2003), Hertology*1 (她方，2004), Glimmering Through the Woods *2 (林園詩畫光圈，2009), Mirco-Beauty (微美，2014), Sing a Poem (詩樂翩篇，2012), and A bite of Xià Yíng (A贏的地味，2014).

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